Free Ebook Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas

Free Ebook Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas

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Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas

Free Ebook Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas

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About the Author

Written by none other than Roy Thomas of Marvel Comics fame, expect nothing less than an exciting tale, with art from some of the foremost Conan portrayers ever: Frank Frazetta, Mark Schultz, Gary Gianni, John Buscema, Cary Nord, and more.

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Product details

Hardcover: 162 pages

Publisher: DK Publishing; First Edition edition (September 4, 2006)

Language: English

ISBN-10: 0756620953

ISBN-13: 978-0756620950

Product Dimensions:

10.3 x 1.1 x 12 inches

Shipping Weight: 2.6 pounds

Average Customer Review:

4.0 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#655,295 in Books (See Top 100 in Books)

For those who enjoy their Conan the Barbarian in lurid graphic-novel or vintage comic-book form, "Conan: The Ultimate Guide" is nearly as irresistible as an evening's visit to the royal seraglio of Khorshemish and as addictive as a sackful of black-lotus leaf.The emphasis here is on visual impact, employing illustrations largely from Marvel's run of Conan titles in the 1970s and 1980s as well as a series Dark Horse Comics began publishing shortly before this book's 2006 release. Maps showcasing various sections of the Hyborian world are also presented, according to the order in which Conan's life journey took him there. Roy Thomas, the original writer for Marvel's Conan, commentates on various periods in the life of history's most famous Cimmerian, from his birth to his mysterious end and many points between.The result is a pleasure for those like me who came to Conan via the comics and appreciate an effort to lend some order and context to what was always the catch-as-catch-can enterprise of telling the Conan story chronologically. Thomas breaks down Conan's life into distinct periods; for example when he was a thief, a freebooter, or a chieftain of marauding tribesmen; then details individual stories taken from each period."In one sense, Conan was always a soldier of fortune, fighting for no cause but one he chose for himself," begins a chapter on Conan's period as a hired swordsman. "If even half the legends are reliable, Conan and his savage sword had some strange employers."The stories by Conan's creator, pulp-fiction artist Robert E. Howard, take pride of place in this collection. His stories are presented as canon, taken from the "Nemedian Chronicles" (a fictional document detailing Conan's Hyborian Age which Howard "quoted from" on occasion) and thus part of the official record. These canon stories get the most pages, and the most lavish illustrations, the eye-bulging kind featuring ferocious monsters menacing bare-bodied women as Conan muscles in at the fatal moment. Other tales presented here are described as being "legends," these being stories written by other hands, including Thomas himself.Thomas takes a good-humored poke or two at several of these secondary stories and their dubious nature. Of one, which I think he wrote himself, Thomas writes: "But some feel the scribe who recorded this cycle of legends was unduly influenced by the fumes of the black lotus when he committed it to parchment."The main drawback for "Ultimate Guide" as I see it rests with this casual approach. Instead of telling you where a story comes from so you can hunt it down, Thomas presents everything in a vague and hazy way. He avoids committing as to what was true and what was not. Much of the Marvel Conan product published after Thomas's time there is not referenced at all; his way perhaps of suggesting they be disregarded. But odds and ends from that era do pop up, like the nasty pirate captain Bor'aqh Sharaq, leaving matters less clear than they should be. An authoritative appendix would have been sweet.Ultimately, the book's glory rests on its graphics, the fruit of many years' work by such illustrators as John Buscema, Barry Windsor-Smith, and Cary Nord; as well as the famous paperback covers by Frank Frazetta which predate comic-book Conan. Even the woman who illustrated Howard's stories when they first appeared in the pulps back in the 1930s, Margaret Brundage, is sampled. The result is a kind of highlight reel of Conan in action and at play which is a pleasure to thumb through and, for those who remember when the comics were new, recollect that first sense of excitement one had touching upon Conan's brutish-but-beautiful world. With the generously-colored maps as a bonus, the "Ultimate Guide" offers Conan lovers a book they can pore over for hours.

 I've grown up loving Conan. It started with the comics when I was a kid. Then the movie came out (the good one with Arnold) and I remember getting my mom to take me to see it at least a couple of times. That which does not kill you, makes you stronger. This book tells the real story of Conan. I didn't even know half of the things that I know now about my childhood hero thanks to this book. It's very informative. It's also a really nice artbook! I will not go on and on about it too much because I believe that if you're a fan of Conan it's safe to say that you will like this book. That and you can read the other reviews that have already gone into great detail about it.I'll just give you a video.

A unique (literally) overview and guide to Robert E. Howard's Conan saga,which has kept my interest since my first reading at age thirteen, I am now seventy-seven. My other teen-age heroes were those created by Edgar Rice Burroughs (Tarzan, John Carter,etc.). Burroughs does not stand up to adult reading (mine at least). Burroughs is not appealing to an adult.

I really like this book. Its a perfect companion to the Wandering Star/Del Rey editions. If you're a fan, then you probably know all of the stories already. This book is really all about the art. Each and every page is chock full of beautiful artwork by Mark Schultz, Gary Gianni, Gregory Manches, John Buscema, and Barry Smith, among others. It even features artwork from perhaps the greatest Conan artist of all, Frank Frazetta, although it does not feature his best painting, the one from "Conan the Adventurer". Additionally, I would have welcomed more Margaret Brundage artwork, and its completely missing art from Boris Valejo. While I think John Buscema was a gifted artist, he always had a tendency to draw Conan wearing a loincloth instead of the clothes that REH actually described him as wearing, which in most cases was completely implausible. Belit's outfit is ridiculous. REH had her nude from the waist up, and I understand that Marvel Comics couldn't possibly depict her that way, but a fur bathing suit??? It would have been nice to include at least one painting that actually depicts Belit exactly as Howard described her (other than the Shultz painting, which shows her completely nude)....but these are minor complaints.The primary focus is on the official REH Conan stories, although it does cover some pastiches as well. In these cases, Roy Thomas calls these "unconfirmed myths and legends". The book completely ignores the two Conan movies, and (thankfully) the horrendus TV series.Its been so long, I forgot what a gifted Conan writer that Roy Thomas was. In my opinion, his original stories (especially the Belit story arc) were consistently way better and more imaginative than anything L. Sprague de Camp or Robert Jordan were doing at the same time. This book is obviously a labor of love. If you're a REH or a Conan fan, then you MUST have this as part of your collection. Highly recommended!

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Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas PDF

Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas PDF

Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas PDF

Conan: The Ultimate Guide to the World's Most Savage Barbarian, by Roy Thomas PDF

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Get Free Ebook As You Like It (Folger Shakespeare Library)

Get Free Ebook As You Like It (Folger Shakespeare Library)

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As You Like It (Folger Shakespeare Library)

Get Free Ebook As You Like It (Folger Shakespeare Library)

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About the Author

William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.

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Product details

Series: Folger Shakespeare Library

Mass Market Paperback: 320 pages

Publisher: Simon & Schuster; Reissue edition (July 1, 2004)

Language: English

ISBN-10: 074348486X

ISBN-13: 978-0743484862

Product Dimensions:

4.2 x 0.9 x 6.8 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

526 customer reviews

Amazon Best Sellers Rank:

#31,212 in Books (See Top 100 in Books)

I am a college adjunct faculty English teacher and I wanted a simple edition with notes for my class to read in the fall. I was going to order 20 of these for the class, but I am so glad I first bought one for myself. The paper edition doesn't have any spaces between the speakers, either, so it is difficult to read, even if it were written in language my students, mostly college freshmen, could easily understand. They would give up on this edition. Also, there are absolutely NO NOTES for students that define and explain some of the more obscure vocabulary and written expressions. The text underneath this edition on Amazon did NOT say that there were no notes. It is not helpful AT ALL for a new reader of Shakespeare or a reader who only read it in high school unwillingly. I am going to order something else for my class.

I purchased this to fill in for copies my students had lost last year. The size of the bool lead me to believe that the print size might be a bit easier on the eye. I could not have been more wrong.Although the pages are large 6x7, the print is minuscule--about 7-point font. That's not the worst. THERE ARE NO LINE NUMBERS OR DEMARCATIONS FOR ACT OR SCENE....Just page after page of tiny font dialogue that begins on page 2, and ends on page 71.

Lately, I've been watching various televised versions of Hamlet, King Lear, Macbeth, and Richard III to avoid yet-another-detective murder mystery. All was well until I recently turned my attention to viewing some of Shakespeare's "comedies," most of which I have seen in the past, minus "As You Like It" which was more pastoral than comedic, and though it had the talent of of a young Helen Mirren, I found the plot was so contrived that the play struck me as stupid. I am not alone, apparently, as I found a review by Peter Beech in The Guardian entitled "Much Ado About Nothing Much" who also thinks less of Shakespeare than we thought we should. He was pioneering, yes indeed, and I am grateful for some truly shimmering lines. Nevertheless, to me, this play is seemingly pointless.

This seems to essentially be Shakespeare's response to The Jew of Malta, so if you've read that, this will seem very familiar to you. However, the language used is far more memorable, the lead character more sympathetic, and the story shaped to fit a different genre. This means that it ends on a far less tragic note, and also that it secures its place in history as one of Shakespeare's masterpieces. Essentially, it is a story of failed revenge, love, and injustice. As to the edition itself, I found it to be greatly helpful in understanding the action in the play. It has a layout which places each page of the play opposite a page of notes, definitions, explanations, and other things needed to understand that page more thoroughly. While I didn't always need it, I was certainly glad to have it whenever I ran into a turn of language that was unfamiliar, and I definitely appreciated the scene-by-scene summaries. Really, if you want to or need to read Shakespeare, an edition such as this is really the way to go, especially until you get more accustomed to it.

I like the way this book gives both versions of the play. It makes it easier to understand Shakespeare. Currently I am taking an English literature class and it has helped me tremendously. I read the plain English side first and then went back and read the Shakespeare version and I was able to understand it better. Some of the Shakespeare gets lost when put into plain English but it’s easy to pick up the meaning after reading both versions.

The plot involves a lot of people disguising themselves as the opposite gender but in the end everyone ends up with the one they really love. In that sense it's like a light romantic comedy but it also includes a lot of the great writing that Shakespeare is known for, including many of his most famous lines, such as the "all the world's a stage" monologue, and I hadn't realized this is the play the phrase "motley fool" came from. If you like Shakespeare, this is a must read, and it's entertaining as just a fun play.This kindle version is well formatted, though no footnotes or line numbers.

I bought this product as a material for a college course, and when we got to studying it, I quickly realized the copy worse than anything I've seen in print. Not only are there no page numbers, but EVERY SINGLE PAGE is missing multiple lines from the script. No, I'm not exaggerating. There are other issues with the presentation of the dialogues and stage directions as well, but those weren't as disruptive as the major errors with this copy. So, if you just want a cover to display to feign studying Shakespeare, go for it, but honestly you could probably find a better fake for less. If you actually want to study the play and know what happens, buy anywhere else. This is not "As [I] Like It."

Alex Jack had already shared a lot of revealing evidence in his magnificent book “Hamlet by Shakespeare and Marlowe”. This one is a kind of bible on the authorship problem. Jack’s thorough work on decoding the distinctive double semantics that mark out the whole Shakespeare’s canon leaves no trace of doubt on the name hidden beneath ‘Shakespeare’.Regardless of the anger of those who try impose the orthodoxian truth, what this book reveals is beyond question. It is only a matter of time that the world will know that Christopher Marlowe’s will, after his interpreted death, was to shake a spear against those who decided that an illiterate paesant was going to be granted with the authorship of Marlowe’s legacy.

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Download Ebook Discovering Totem Poles: A Traveler's Guide (Ruth E. Kirk Books), by Aldona Jonaitis

Download Ebook Discovering Totem Poles: A Traveler's Guide (Ruth E. Kirk Books), by Aldona Jonaitis

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Discovering Totem Poles: A Traveler's Guide (Ruth E. Kirk Books), by Aldona Jonaitis

Download Ebook Discovering Totem Poles: A Traveler's Guide (Ruth E. Kirk Books), by Aldona Jonaitis

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Review

"Discovering Totem Poles is, as the title makes clear, geared toward travelers, but there is plenty here to hold the interest of Southeast Alaskans as well."―Amy Fletcher, Juneau Empire, July 2012"Jonaitis is refreshingly iconoclastic, reminding us that totem poles were never worshipped or considered sacred and the concept of 'low man on the totem pole' has no meaning."―Mike Dillon, City Living, June 2012

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About the Author

Aldona Jonaitis is the author of a number of books including Art of the Northwest Coast and, with Aaron Glass, he Totem Pole: An Intercultural History. She is director emerita of the University of Alaska Museum of the North.

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Product details

Series: Ruth E. Kirk Books

Paperback: 144 pages

Publisher: University of Washington Press (April 20, 2012)

Language: English

ISBN-10: 0295991879

ISBN-13: 978-0295991870

Product Dimensions:

6.4 x 0.4 x 10 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#418,797 in Books (See Top 100 in Books)

I bought this book because I was fascinated with the different Totem Poles I found in Washington State (although none of these are in this book). What the book does have is some very interesting information and photos. Lots of old B&W photos as well as images and information on newer poles, plus maps on where the poles are located.

Discussing colonial relations as manifest in the history and form of totem poles.Wish there were more of the older poles, and less of the very recent ones.

It is exciting to read such astonishing facts about totem poles from a hundred or more years ago. Mysteries are put to rest about many artistic creations, and the totems that were surprisingly replaced by copies. This book uniquely displays helpful maps of the locations from Seattle to Juneau. The design of the book is pleasing and convenient to any traveler up the Northwest coast. I particularly enjoyed the historical and cultural aspects, learning about those who have done the magnificent carvings. This is an amazingly well done book making it a very enjoyable read.

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